{"id":23656,"date":"2026-04-17T09:53:37","date_gmt":"2026-04-17T08:53:37","guid":{"rendered":"https:\/\/kral-production.cz\/?p=23656"},"modified":"2026-10-19T10:01:08","modified_gmt":"2026-10-19T09:01:08","slug":"vecery-s-35","status":"publish","type":"post","link":"https:\/\/kral-production.cz\/?p=23656","title":{"rendered":"Ve\u010dery S"},"content":{"rendered":"

17. 4. 2026 – Divadlo u Kapli\u010dky, \u010cesk\u00e9 Bud\u011bjovice<\/em><\/p>\n

Zku\u0161enost, vyrovnanost, preciznost, virtuozita, smysl pro detail i radost z hudby. To v\u0161echno se skr\u00fdv\u00e1 za neot\u0159el\u00fdm n\u00e1zvem dua El \u0147\u016f\u0148o.
\nMarta Marinov\u00e1 zp\u00edv\u00e1, ob\u010das vezme do rukou housle \u010di kytaru. Petr Tich\u00fd ob\u010das p\u0159id\u00e1v\u00e1 druh\u00fd hlas, p\u0159edev\u0161\u00edm v\u0161ak s mistrovskou jistotou ovl\u00e1d\u00e1 kytaru a vytv\u00e1\u0159\u00ed zvukov\u00fd sv\u011bt, kter\u00fd dalece p\u0159esahuje mo\u017enosti jedin\u00e9ho n\u00e1stroje. Pod\u011bl\u00edme se s v\u00e1mi o slova st\u00e1l\u00e9ho div\u00e1ka Ve\u010der\u016f S: \u201eVelk\u00fdm pro\u017eitkem pro m\u011b byl projev Marty Marinov\u00e9, ve kter\u00e9 se n\u00e1dhern\u011b snoub\u00ed zp\u011bva\u010dka a here\u010dka! Vychutn\u00e1v\u00e1 si ka\u017edi\u010dkou noti\u010dku p\u011bvecky i herecky. Je to Pan\u00ed Zp\u011bva\u010dka! Nedovedu si p\u0159edstavit, \u017ee by jej\u00ed p\u00edsni\u010dky dok\u00e1zal zazp\u00edvat n\u011bkdo jin\u00fd, snad jen pan\u00ed Hegerov\u00e1.\u201c
\nA pr\u00e1v\u011b Petrova kytarov\u00e1 hra d\u00e1v\u00e1 Martinu projevu prostor pln\u011b zaz\u00e1\u0159it. Jeho n\u00e1stroj chv\u00edlemi zn\u00ed jako mal\u00fd orchestrion v tom nejlep\u0161\u00edm slova smyslu \u2013 barevn\u011b, bohat\u011b a s neust\u00e1l\u00fdm citem pro p\u00edse\u0148. V\u0161e je serv\u00edrov\u00e1no do sytosti, p\u0159esn\u011b podle n\u00e1lady, n\u00e1boje jednotliv\u00fdch skladeb a vysok\u00e9ho stupn\u011b \u201evy\u0148u\u0148an\u00fdch\u201c aran\u017e\u00ed, kter\u00e9 jsou pozn\u00e1vac\u00edm znamen\u00edm tohoto skv\u011bl\u00e9ho dua.<\/p>\n

P\u0159\u00edb\u011bhy ze \u017eivota protkan\u00e9 osobn\u00edmi z\u00e1\u017eitky, nesen\u00e9 \u017eensk\u00fdm hlasem v mnoha podob\u00e1ch a doprov\u00e1zen\u00e9 klav\u00edrem, v Divadle U Kapli\u010dky tentokr\u00e1t kl\u00e1vesami. Takov\u00e1 je Kl\u00e1ra S\u00e1ra, v\u00fdrazn\u00e1 autorka a interpretka, kter\u00e1 si publikum z\u00edsk\u00e1v\u00e1 naprostou opravdovost\u00ed. Jej\u00ed zp\u011bv um\u00ed hladit i ost\u0159e \u0159ezat, v\u00e9st ke klidu i k bou\u0159i. Neboj\u00ed se n\u00e1ro\u010dn\u00fdch t\u00e9mat ani siln\u00fdch textov\u00fdch obraz\u016f. Do sv\u00e9ho projevu zapojuje koloraturu, recitativ, v\u00fdk\u0159iky i \u0161epot. To v\u0161e slou\u017e\u00ed jedin\u00e9mu a jasn\u00e9mu c\u00edli: pravdiv\u011b sd\u011blit emoci. V jej\u00edch p\u00edsn\u00edch p\u0159ich\u00e1zej\u00ed chv\u00edle t\u00e9m\u011b\u0159 filozofick\u00e9, okam\u017eiky, kter\u00e9 zas\u00e1hnou \u010dlov\u011bka v hloubce, kde se b\u011b\u017en\u00e1 slova ztr\u00e1cej\u00ed. B\u00fdt ve spole\u010dnosti Kl\u00e1ry S\u00e1ry znamen\u00e1 vstoupit do prostoru otev\u0159enosti, odvahy a lidsk\u00e9 pravdy. Jej\u00ed citliv\u00e1 a z\u00e1rove\u0148 suver\u00e9nn\u00ed hra na klav\u00edr vytv\u00e1\u0159\u00ed pevn\u00fdm z\u00e1kladem v\u0161eho, co p\u0159ich\u00e1z\u00ed potom. A kdy\u017e se k n\u00ed p\u0159id\u00e1 zp\u011bv, vznik\u00e1 celek, kter\u00fd v\u00e1s vt\u00e1hne velmi bl\u00edzko. Natolik bl\u00edzko, \u017ee jej\u00ed p\u00edsn\u011b za\u010dnete pro\u017e\u00edvat spole\u010dn\u011b s n\u00ed.<\/p>\n

Koncert Spolektivu k des\u00e1t\u00e9mu v\u00fdro\u010d\u00ed od vyd\u00e1n\u00ed jejich desky DEJ MI TVAR nebyl jen hudebn\u00edm vystoupen\u00edm. Byl to z\u00e1\u017eitek, kter\u00fd se do \u010dlov\u011bka vp\u00edj\u00ed postupn\u011b, jako kdy\u017e sledujete film, u kter\u00e9ho nechcete, aby skon\u010dil.
\nHudba Spolektivu je jako \u0159eka. Cel\u00fd ve\u010der jsme se vezli na jej\u00ed hladin\u011b. Chv\u00edli n\u00e1s kol\u00e9bala v naprost\u00e9m klidu, aby n\u00e1s vz\u00e1p\u011bt\u00ed strhla divok\u00fdm proudem \u010dist\u00e9 energie. Je fascinuj\u00edc\u00ed sledovat kapelu, kter\u00e1 spolu hraje s jednou odpo\u010dinkovou pauzou u\u017e od 20. stolet\u00ed. Ta neuv\u011b\u0159iteln\u00e1 sehranost a jistota v ka\u017ed\u00e9m t\u00f3nu je v dne\u0161n\u00ed dob\u011b vz\u00e1cn\u00e1 a popravd\u011b pro n\u00e1s muzikanty poslucha\u010de i vz\u00e1cn\u00e1.
\nCo m\u011b ale dost\u00e1v\u00e1 p\u0159i poslechu Spolektivu nejv\u00edc, je vysok\u00e1 citlivost. \u017d\u00e1dn\u00e9 n\u00e1stroje se nep\u0159edh\u00e1n\u011bj\u00ed, kdo bude hlasit\u011bj\u0161\u00ed. Zvukomalba slou\u017e\u00ed p\u0159\u00edb\u011bhu a hudba pokorn\u011b ustupuje textu, aby se k n\u00e1m dostalo to nejd\u016fle\u017eit\u011bj\u0161\u00ed, a to je sd\u011blen\u00ed. Barevnost st\u0159\u00eddaj\u00edc\u00edch se vok\u00e1l\u016f jen podtrhuje atmosf\u00e9ru \u201efilmov\u00e9ho pl\u00e1tna\u201c, kter\u00e9 si ka\u017ed\u00fd z poslucha\u010d\u016f prom\u00edt\u00e1 ve sv\u00e9 hlav\u011b.
\nD\u011bkuji za ve\u010der, kde hudba malovala obrazy a my byli pohlceni jej\u00edm plynut\u00edm, jako bychom spole\u010dn\u011b s kapelou v\u0161ichni pluli na jedn\u00e9 lodi po \u0159ece hudby Spolektivu. Bylo to hlubok\u00e9, lidsk\u00e9 a nesm\u00edrn\u011b poctiv\u00e9.<\/p>\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"

17. 4. 2026 – Divadlo u Kapli\u010dky, \u010cesk\u00e9 Bud\u011bjovice Zku\u0161enost, vyrovnanost, preciznost, virtuozita, smysl pro detail i radost z hudby. To v\u0161echno se skr\u00fdv\u00e1 za neot\u0159el\u00fdm n\u00e1zvem dua El \u0147\u016f\u0148o. Marta Marinov\u00e1 zp\u00edv\u00e1, ob\u010das vezme do rukou housle \u010di kytaru. Petr Tich\u00fd ob\u010das p\u0159id\u00e1v\u00e1 druh\u00fd hlas, p\u0159edev\u0161\u00edm v\u0161ak s mistrovskou jistotou ovl\u00e1d\u00e1 kytaru a vytv\u00e1\u0159\u00ed […]<\/p>\n","protected":false},"author":1,"featured_media":23657,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default","ngg_post_thumbnail":0,"footnotes":""},"categories":[68,16],"tags":[29,19,64],"class_list":["post-23656","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-koncerty","category-reportaz","tag-lide-2","tag-reportaz-2","tag-vecery-s"],"_links":{"self":[{"href":"https:\/\/kral-production.cz\/index.php?rest_route=\/wp\/v2\/posts\/23656","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kral-production.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kral-production.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kral-production.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kral-production.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23656"}],"version-history":[{"count":1,"href":"https:\/\/kral-production.cz\/index.php?rest_route=\/wp\/v2\/posts\/23656\/revisions"}],"predecessor-version":[{"id":23658,"href":"https:\/\/kral-production.cz\/index.php?rest_route=\/wp\/v2\/posts\/23656\/revisions\/23658"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kral-production.cz\/index.php?rest_route=\/wp\/v2\/media\/23657"}],"wp:attachment":[{"href":"https:\/\/kral-production.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23656"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kral-production.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23656"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kral-production.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}