{"id":21713,"date":"2025-10-10T17:44:27","date_gmt":"2025-10-10T16:44:27","guid":{"rendered":"https:\/\/www.kral-production.cz\/?p=21713"},"modified":"2025-12-14T17:23:20","modified_gmt":"2025-12-14T17:23:20","slug":"vecery-s-29","status":"publish","type":"post","link":"https:\/\/kral-production.cz\/?p=21713","title":{"rendered":"Ve\u010dery S"},"content":{"rendered":"<p><em>10. 10. 2025 &#8211; Divadlo U Kapli\u010dky, \u010cesk\u00e9 Bud\u011bjovice<\/em><\/p>\n<p>Monika Sonk a Barbora Soukupov\u00e1 p\u0159ivezly do Divadla U Kapli\u010dky k\u0159ehkost i s\u00edlu v jednom hudebn\u00edm dialogu. Autorkou p\u00edsn\u00ed je zp\u011bva\u010dka, skladatelka, kytaristka a klav\u00edristka Monika Sonk, jej\u00ed\u017e hudba d\u00fdch\u00e1 \u017eenskou energi\u00ed, vn\u00edmavost\u00ed i neklidem tv\u016fr\u010d\u00ed du\u0161e. Doprov\u00e1z\u00ed ji \u010deskobud\u011bjovick\u00e1 roda\u010dka Barbora Soukupov\u00e1, dlouholet\u00e1 \u010dlenka orchestru N\u00e1rodn\u00edho divadla, kter\u00e1 sv\u00fdm violoncellem p\u0159id\u00e1v\u00e1 hloubku a ladnost ka\u017ed\u00e9mu t\u00f3nu.<br \/>\nZprvu siln\u00e9 \u0161ansonov\u00e9 p\u00edsn\u011b nazna\u010dily emo\u010dn\u00ed hloubku koncertu, aby se div\u00e1ci vz\u00e1p\u011bt\u00ed ocitli ve v\u00edru latino rytm\u016f i v tichu zasn\u011bn\u00fdch melodi\u00ed. Moni\u010din energick\u00fd zp\u011bv, klav\u00edr i kytara se propl\u00e9taly s B\u00e1rou violoncellovou linkou, citlivou, pevnou a neust\u00e1le v pohybu. Hudba obou um\u011blky\u0148 se prom\u011b\u0148ovala, d\u00fdchala a p\u0159in\u00e1\u0161ela publiku chv\u00edle, kdy se prost\u011b mus\u00ed poslouchat srdcem.<\/p>\n<p>Honza \u0160uster a jeho \u0161pan\u011blsk\u00e1 kytara. Hudba hran\u00e1 s v\u00e1\u0161n\u00ed, p\u0159esnost\u00ed a obdivuhodn\u00fdm soust\u0159ed\u011bn\u00edm. Bez zapo\u010d\u00edt\u00e1n\u00ed p\u011bveck\u00fdch sbor\u016f se stal v\u016fbec prvn\u00edm interpretem v\u00e1\u017en\u00e9 hudby v r\u00e1mci Ve\u010der\u016f S. \u010cerstv\u00fd absolvent JAMU provedl div\u00e1ky s \u00fa\u017easem skladbou Francisca T\u00e1rregy \u2013 Gran Jota. D\u00edlo postaven\u00e9 na odv\u00e1\u017en\u00fdch variac\u00edch a \u0161irok\u00e9 \u0161k\u00e1le kytarov\u00fdch technik, kter\u00e9 Honza ovl\u00e1d\u00e1 s mistrovskou jistotou. V jeden okam\u017eik zn\u00ed kytara jako orchestrion, v dal\u0161\u00edm pr\u0161\u00ed fla\u017eolety, hmatn\u00edk je v neust\u00e1l\u00e9 permanenci a chv\u00edlemi kytaru rozezn\u00e1v\u00e1 jen jedin\u00e1, lev\u00e1 ruka.<br \/>\nPodobn\u011b podmaniv\u011b vyzn\u011bla i skladba Joaqu\u00edna Rodriga \u2013 Invocaci\u00f3n y danza. Mimo\u0159\u00e1dn\u00e9 soust\u0159ed\u011bn\u00ed hudebn\u00edka i publika pokra\u010dovalo a s\u00e1l Divadla U Kapli\u010dky se na chv\u00edli prom\u011bnil v prostor, kde i ticho m\u011blo vlastn\u00ed melodii.<\/p>\n<p>Karel Markyt\u00e1n, hlas, kter\u00fd v sob\u011b nese otisk \u010desk\u00e9ho folku.<br \/>\nKarel Markyt\u00e1n a jeho KM Band p\u0159edvedli na Ve\u010deru S v\u00fdsostn\u00e9 hudebn\u00ed pochutn\u00e1n\u00ed. P\u0159esn\u00e9 posazen\u00ed v\u0161ech aran\u017e\u00e9rsk\u00fdch z\u00e1m\u011br\u016f tam, kde maj\u00ed b\u00fdt, a p\u0159esto neust\u00e1l\u00e9 p\u0159ekvapov\u00e1n\u00ed. Autorsk\u00e9 um\u011bn\u00ed Karla Markyt\u00e1na, p\u0159edstaven\u00e9 v podob\u011b zn\u00e1m\u00fdch i nov\u00fdch p\u00edsn\u00ed za doprovodu skv\u011bl\u00fdch muzikant\u016f, kytaristy a zp\u011bv\u00e1ka Petra Hoffmanna, baskytaristy Josefa \u0160ob\u00e1n\u011b, buben\u00edka Marka \u0160lapansk\u00e9ho, kl\u00e1vesisty Sa\u0161i Kunerta a zp\u011bva\u010dky Mark\u00e9ty Vodi\u010dkov\u00e9, se pro div\u00e1ky Divadla U Kapli\u010dky stalo skute\u010dn\u00fdm z\u00e1\u017eitkem. A\u0165 u\u017e zazn\u011bly p\u00edsn\u011b z reperto\u00e1ru AG Fleku nebo z Karlov\u00fdch s\u00f3lov\u00fdch projekt\u016f, bylo to prost\u011b skv\u011bl\u00e9. Stru\u010dn\u011b \u0159e\u010deno: s Karlem Markyt\u00e1nem byla a je muzika!<\/p>\n<p>Monika Vojtov\u00e1 \u2013 t\u0159i charakteristick\u00e9 rysy tvorby<br \/>\n1 &#8211; Tvo\u0159\u00ed technikou such\u00e9ho pastelu, av\u0161ak oproti b\u011b\u017en\u00e9mu rozmaz\u00e1v\u00e1n\u00ed a m\u00edsen\u00ed pigment\u016f zachov\u00e1v\u00e1 ka\u017ed\u00fd tah v jeho p\u016fvodn\u00ed podob\u011b. Barvy nan\u00e1\u0161\u00ed s precizn\u00ed kontrolou \u2013 ot\u00e1\u010den\u00edm hranolu pastelu, st\u0159\u00edd\u00e1n\u00edm pr\u00e1ce s plochou a hranou \u2013 \u010d\u00edm\u017e vytv\u00e1\u0159\u00ed osobit\u00fd a rozpoznateln\u00fd rukopis.<br \/>\n2 &#8211; Do sv\u00fdch d\u011bl z\u00e1m\u011brn\u011b prom\u00edt\u00e1 siln\u00e9 lidsk\u00e9 vlastnosti a emoce do objekt\u016f, kter\u00e9 \u010dlov\u011bk ve sp\u011bchu b\u011b\u017en\u011b p\u0159ehl\u00ed\u017e\u00ed \u010di bere jako samoz\u0159ejmost. V oby\u010dejn\u00fdch v\u011bcech tak nach\u00e1z\u00ed skrytou hloubku a symboliku.<br \/>\n3 &#8211; Jej\u00ed obrazy jsou hrou s emocemi i vn\u00edm\u00e1n\u00edm ka\u017ed\u00e9ho div\u00e1ka. \u010casto vznikaj\u00ed na v\u00edce podkladech, kter\u00e9 lze podle osobn\u00edho c\u00edt\u011bn\u00ed skl\u00e1dat, rozd\u011blovat \u010di ot\u00e1\u010det \u2013 ka\u017ed\u00fd si tak m\u016f\u017ee vytvo\u0159it vlastn\u00ed interpretaci i vizu\u00e1ln\u00ed p\u0159\u00edb\u011bh.<\/p>\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>10. 10. 2025 &#8211; Divadlo U Kapli\u010dky, \u010cesk\u00e9 Bud\u011bjovice Monika Sonk a Barbora Soukupov\u00e1 p\u0159ivezly do Divadla U Kapli\u010dky k\u0159ehkost i s\u00edlu v jednom hudebn\u00edm dialogu. Autorkou p\u00edsn\u00ed je zp\u011bva\u010dka, skladatelka, kytaristka a klav\u00edristka Monika Sonk, jej\u00ed\u017e hudba d\u00fdch\u00e1 \u017eenskou energi\u00ed, vn\u00edmavost\u00ed i neklidem tv\u016fr\u010d\u00ed du\u0161e. Doprov\u00e1z\u00ed ji \u010deskobud\u011bjovick\u00e1 roda\u010dka Barbora Soukupov\u00e1, dlouholet\u00e1 \u010dlenka orchestru [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":21714,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default","ngg_post_thumbnail":0,"footnotes":""},"categories":[68,16],"tags":[29,19,64],"class_list":["post-21713","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-koncerty","category-reportaz","tag-lide-2","tag-reportaz-2","tag-vecery-s"],"_links":{"self":[{"href":"https:\/\/kral-production.cz\/index.php?rest_route=\/wp\/v2\/posts\/21713","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kral-production.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kral-production.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kral-production.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kral-production.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=21713"}],"version-history":[{"count":2,"href":"https:\/\/kral-production.cz\/index.php?rest_route=\/wp\/v2\/posts\/21713\/revisions"}],"predecessor-version":[{"id":22242,"href":"https:\/\/kral-production.cz\/index.php?rest_route=\/wp\/v2\/posts\/21713\/revisions\/22242"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kral-production.cz\/index.php?rest_route=\/wp\/v2\/media\/21714"}],"wp:attachment":[{"href":"https:\/\/kral-production.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=21713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kral-production.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=21713"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kral-production.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=21713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}